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Shreya and Reema Sen @ Coffee Shop Video
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Rocket Singh - Hindi Movie Review
Rating: 2/5
Banner: Yash Raj Films
Genre: Drama/Comedy
Cast: Ranbir Kapoor, Shazahn Padamsee, Santosh, Gauhar Khan, Prem Chopra
Music: Salim Merchant & Sulaiman Merchant
Cinematography: Vikash Nowlakha Anshum
Editing: Arindam Ghatak
Story - dialogue - screenplay: Jaideep Sahni
Director: Shimit Amin
Producer: Aditya Chopra
Release date: 11 December 2009
Review
Story
Harpreet Singh (Ranbir Kapoor) is just out of college and he joins a computer sales and service company as a trainee. He is pure at heart and wants to be honest in his work. His forthright attitude costs him a lot in his company. He is forced to sit out and do dirty work. His boss believes in bribing and getting sales orders at any cost. Vested by the way his company treats him, Harpreet want to show his entrepreneurial skills. He floats a secret company called ‘Rocket’ and bags orders and wins loyal customers. He uses the resources and employees of the office. The rest of the story is all about what happens when his boss finds out the truth!
Actors:
Ranbir Kapoor comes up with fabulous performance again as an honest guy. It is pretty difficult to express when you have sardarji beard on. Shazahn Padamsee is nice as the love interest of the hero. Gauhar Khan is good as the receptionist. D Santosh fits the bill as the computer assembler. The guy who did the role of boss is adequate though he appeared redundant with his expressions. Prem Chopra is top-rate as the grandfather of hero.
Technical departments:
Story - screenplay – direction: This film comes from Jaideep Sahni - the writer of films like Chak De India and Khosla Ka Ghosla. Hence the story is mostly realistic. This story provides a message that people are more important than the numbers (sales targets). Films like these work if the screenplay is interesting and narration is gripping. Shimit Amin who gave two powerful films like Ab Tak Chappan and Chak De India fails to deliver his third success. Rocket Singh fails due to uninteresting screenplay and unrealistic premise. The ragging of Harmeet Singh in his office looks silly and it’s not convincing at all. The concept of operating new outfit from the same office also sounds brainless as it’s easy to get caught. The climax scene in which hero’s ex-boss returns the company should give the audience the feeling of triumph and it doesn’t because the director failed to get audiences emotionally involved with the story by then.
Other technical departments: Dialogues are witty. Background music by Salim and Sulaiman is adequate. Cinematography is neat. Editing should have been crisp as the entire movie is of 2 and half hours duration (that’s too without any songs).
Analysis: We have seen films like Chak De India and Khosla Ka Ghosla. These films worked because of the gripping screenplay and engaging emotional content. Rocket Singh also offers a similar story and premise. The only difference between earlier films and Rocket Singh is uninteresting screenplay and flat content. Rocket Singh is also narrated at a snail’s pace. On a whole, Rocket Singh runs out of the fuel midway.
Banner: Yash Raj Films
Genre: Drama/Comedy
Cast: Ranbir Kapoor, Shazahn Padamsee, Santosh, Gauhar Khan, Prem Chopra
Music: Salim Merchant & Sulaiman Merchant
Cinematography: Vikash Nowlakha Anshum
Editing: Arindam Ghatak
Story - dialogue - screenplay: Jaideep Sahni
Director: Shimit Amin
Producer: Aditya Chopra
Release date: 11 December 2009
Review
Story
Harpreet Singh (Ranbir Kapoor) is just out of college and he joins a computer sales and service company as a trainee. He is pure at heart and wants to be honest in his work. His forthright attitude costs him a lot in his company. He is forced to sit out and do dirty work. His boss believes in bribing and getting sales orders at any cost. Vested by the way his company treats him, Harpreet want to show his entrepreneurial skills. He floats a secret company called ‘Rocket’ and bags orders and wins loyal customers. He uses the resources and employees of the office. The rest of the story is all about what happens when his boss finds out the truth!
Actors:
Ranbir Kapoor comes up with fabulous performance again as an honest guy. It is pretty difficult to express when you have sardarji beard on. Shazahn Padamsee is nice as the love interest of the hero. Gauhar Khan is good as the receptionist. D Santosh fits the bill as the computer assembler. The guy who did the role of boss is adequate though he appeared redundant with his expressions. Prem Chopra is top-rate as the grandfather of hero.
Technical departments:
Story - screenplay – direction: This film comes from Jaideep Sahni - the writer of films like Chak De India and Khosla Ka Ghosla. Hence the story is mostly realistic. This story provides a message that people are more important than the numbers (sales targets). Films like these work if the screenplay is interesting and narration is gripping. Shimit Amin who gave two powerful films like Ab Tak Chappan and Chak De India fails to deliver his third success. Rocket Singh fails due to uninteresting screenplay and unrealistic premise. The ragging of Harmeet Singh in his office looks silly and it’s not convincing at all. The concept of operating new outfit from the same office also sounds brainless as it’s easy to get caught. The climax scene in which hero’s ex-boss returns the company should give the audience the feeling of triumph and it doesn’t because the director failed to get audiences emotionally involved with the story by then.
Other technical departments: Dialogues are witty. Background music by Salim and Sulaiman is adequate. Cinematography is neat. Editing should have been crisp as the entire movie is of 2 and half hours duration (that’s too without any songs).
Analysis: We have seen films like Chak De India and Khosla Ka Ghosla. These films worked because of the gripping screenplay and engaging emotional content. Rocket Singh also offers a similar story and premise. The only difference between earlier films and Rocket Singh is uninteresting screenplay and flat content. Rocket Singh is also narrated at a snail’s pace. On a whole, Rocket Singh runs out of the fuel midway.
Vamp Bhuvaneshwari in Politics Now!!!
Well, it looks like the field of politics is a safe haven for Goondas, murderers, criminals and other lawless citizens. Now, another category also might have to be added and that is prostitutes and brothel owners. This is the opinion expressed by many after hearing this news.
Apparently, the controversial vamp Bhuvaneshwari who was recently arrested in Chennai for running a brothel at her residence has now taken to politics. Reports say that she has joined All India Moovendhar Munnani Kazhagam and that too as the president of the Women’s wing. Hot Babes Pics
Responding to her case, she termed it as a false move by the police to defame her, like a true politician. However, she maintained that acting will still continue for her as it is her life. Well, need anyone say where our political system is heading now? all the best Bhuvaneshwari!!!
Apparently, the controversial vamp Bhuvaneshwari who was recently arrested in Chennai for running a brothel at her residence has now taken to politics. Reports say that she has joined All India Moovendhar Munnani Kazhagam and that too as the president of the Women’s wing. Hot Babes Pics
Responding to her case, she termed it as a false move by the police to defame her, like a true politician. However, she maintained that acting will still continue for her as it is her life. Well, need anyone say where our political system is heading now? all the best Bhuvaneshwari!!!
Katha Review - Katha Kanchiki Manam Intiki
Rating: 2/5
Banner: Just Yellow Media pvt ltd
Cast: Arun Adit, Genelia, Prakashraj, Shafi, Raghubabu, Tulasi, Jayalalitha, Ravikiran Babu, Praneeth, Srilatha, C M Kalyan and others
Dialogues: Gunnam Gangaraju
Lyrics: Anantha Sriram
Music: S K Balachandran
Cinematography: I Andrew
Editing: Marthand K Venkatesh
Story, Screenplay, Director: Srinivas Raaga
Producer: Gunnam Gangaraju
Release date: Dec 12 2009
Slated to be a romantic thriller and that too with the bubbly beauty Genelia in the lead, the film ‘Katha’ was meant to be an interesting treat. Whether it is really interesting or not, let us go into details.
Essense:
Chitra (Genelia) is a school teacher who comes to Araku to teach school students. Krishna (arun) is an aspiring director who comes along with his team to make a movie at the same place. Soon, their paths meet and Krishna falls for her. However, there is a flashback for Chitra that is revealed later and to add to it, Chitra says she has witnessed a murder as well. Was it really true or a hallucination? What is the real ‘Katha’? All this forms the essence.
Artistes:
The bubbly beauty Genelia has given her best efforts to do justice to the film but then her role was not given that depth and portrayed correctly. However, her chirpy looks and cute smiles make up for the score.
Arun Adit has shown confidence in front of the screen but then he is raw. There are a few things he has to work on like his expressions, posture, body language etc if he is looking at making a career in film industry.
Prakashraj has given another decent performance, though he plays a crucial role and a brief one, he made his presence felt whenever required. No complaints on that one.
The entire film revolves pretty much around Genelia so it must be said that the stand out act has been that of Raghu Babu who spreads good laughter with his witty dialogues and expressions. Shafi was not used to the fullest, Tulasi was standard and so was Jayalalitha, Ravikiran Babu was alright, C M Kalyan was usual, they were regular and contributed as required.
Sign-Out Lines:
The film came out with an interesting concept but then it was caught between two genres – romance and thriller. That led to a lot of confusion and it must be said that there is a major flaw in the direction. The storyline was appealing but the narrative was very weak, presentation was good in many places. Dialogues were mild, the script lacked the spine, screenplay was erratic. Another flaw in the film is the background score which was overenthusiastic in every scene. To create an impact in a thriller, silence at the right time works best and the music director is busy giving a sentimental tune which is a major turn off. Editing was not crisp. Songs were not good either barring one which was a bit melodious. Cinematography was professional and the locations were good in few scenes.
The film runs on a very slow pace and given the lack of depth in the plot, it is quite boring. While the first half revolves around the lighter elements, the second half tries to get serious and there are one or two scenes where the audience interest is engaged. But soon, it loses its grip and gets back to a monotonous tune. The lack of comedy is another drawback and despite the presence of highly talented stars like Prakashraj, Genelia, Shafi, the director could not pull a good one. There is nothing for the mass audience, family audience might come for Genelia but lose interest in no time, and youth don’t have much to talk about it either. The film is mostly ending up as a dud at the box office.
Decree: Not so great - Finally Katha Kanchiki Manam Intiki
Banner: Just Yellow Media pvt ltd
Cast: Arun Adit, Genelia, Prakashraj, Shafi, Raghubabu, Tulasi, Jayalalitha, Ravikiran Babu, Praneeth, Srilatha, C M Kalyan and others
Dialogues: Gunnam Gangaraju
Lyrics: Anantha Sriram
Music: S K Balachandran
Cinematography: I Andrew
Editing: Marthand K Venkatesh
Story, Screenplay, Director: Srinivas Raaga
Producer: Gunnam Gangaraju
Release date: Dec 12 2009
Slated to be a romantic thriller and that too with the bubbly beauty Genelia in the lead, the film ‘Katha’ was meant to be an interesting treat. Whether it is really interesting or not, let us go into details.
Essense:
Chitra (Genelia) is a school teacher who comes to Araku to teach school students. Krishna (arun) is an aspiring director who comes along with his team to make a movie at the same place. Soon, their paths meet and Krishna falls for her. However, there is a flashback for Chitra that is revealed later and to add to it, Chitra says she has witnessed a murder as well. Was it really true or a hallucination? What is the real ‘Katha’? All this forms the essence.
Artistes:
The bubbly beauty Genelia has given her best efforts to do justice to the film but then her role was not given that depth and portrayed correctly. However, her chirpy looks and cute smiles make up for the score.
Arun Adit has shown confidence in front of the screen but then he is raw. There are a few things he has to work on like his expressions, posture, body language etc if he is looking at making a career in film industry.
Prakashraj has given another decent performance, though he plays a crucial role and a brief one, he made his presence felt whenever required. No complaints on that one.
The entire film revolves pretty much around Genelia so it must be said that the stand out act has been that of Raghu Babu who spreads good laughter with his witty dialogues and expressions. Shafi was not used to the fullest, Tulasi was standard and so was Jayalalitha, Ravikiran Babu was alright, C M Kalyan was usual, they were regular and contributed as required.
Sign-Out Lines:
The film came out with an interesting concept but then it was caught between two genres – romance and thriller. That led to a lot of confusion and it must be said that there is a major flaw in the direction. The storyline was appealing but the narrative was very weak, presentation was good in many places. Dialogues were mild, the script lacked the spine, screenplay was erratic. Another flaw in the film is the background score which was overenthusiastic in every scene. To create an impact in a thriller, silence at the right time works best and the music director is busy giving a sentimental tune which is a major turn off. Editing was not crisp. Songs were not good either barring one which was a bit melodious. Cinematography was professional and the locations were good in few scenes.
The film runs on a very slow pace and given the lack of depth in the plot, it is quite boring. While the first half revolves around the lighter elements, the second half tries to get serious and there are one or two scenes where the audience interest is engaged. But soon, it loses its grip and gets back to a monotonous tune. The lack of comedy is another drawback and despite the presence of highly talented stars like Prakashraj, Genelia, Shafi, the director could not pull a good one. There is nothing for the mass audience, family audience might come for Genelia but lose interest in no time, and youth don’t have much to talk about it either. The film is mostly ending up as a dud at the box office.
Decree: Not so great - Finally Katha Kanchiki Manam Intiki
Saleem Review
Rating: 2/5
Banner: Lakshmi Prasanna Pictures
Cast: Vishnu, Ileana, Mohan Babu, Kaveri Jha, Jaya Prakash Reddy, Tanikella Bharani, Hema, MS Narayana, Ali, Raghubabu, Venkat etc
Music: Sandeep Chowta
Art: Anand Sai
Fights: Vijay, Kanal Kannan
Camera: Ram Prasad
Production: Padmasri Mohan Babu
Story, Screenplay Direction: YVS Choudary
Release Date: 12th Dec 2009
Manchu Vishnu’s ‘Saleem’ released today after a long wait. Ileana, the heroine in demand paired up with him. Mohan Babu also played a key role in the film and that attracted the audiences, obviously. Walk into the details to know more…
Essence:
The movie starts with Satyawati (Ileana) and her story in a village backdrop. She is the daughter of Singamanaidu (Napolean), a respectable villager. She comes to the village for a brief vacation and lives amidst all lovable relatives recalling the movies Murari, Athadu, Ninne Pelladatha etc etc (sorry for taking the comparison. This film has no glory close to an iota of those master pieces)!! Like in many other films the hero (Vishnu with character name Munna) arrives in that village and stays along with the family in the disguise of orphan. The story runs with insipid dialogues, stupid screenplay and energy less narration till the interval.
And the interval bang has got a twist that rotates the heads of audiences to 360 degrees. I cannot reveal that here as that is the only ‘suspense factor’ in it. And the post interval period is another hard nut to bite. Mohan Babu plays the mafia don OJO (an acronym for Ogirala Joginatham) and he has a duet with Kaveri Jha. The twist in the interval narrates rest of the story line with all confusion and cacophony. Who is Saleem is another part of the story that unwraps in second half. What happened for about 150 minutes will be in question mark at the conclusion of the movie.
Artistes:
Mohan Babu wouldn’t have played this role OJO at all. He has shown a teacher as source of eroticism. The artiste of his age shouldn’t have encouraged the director to demean a female teacher that way. It’s a head-down for entire female teacher community. I feel the teachers in Mohan Babu’s school ‘Sree Vidya Niketan’ would keep their heads down if they identify themselves in Kaveri Jha’s character and their master Mohan Babu in the role he played.
Vishnu has picked up considerably. He is really looking smart with lean look. His face is also showing some glow and young charisma. Dances are also impressive. But he needs to do exercise in voice modulation. He should take a few leaves from his father’s experience for next film.
Ileana is restricted to enticing male crowds through songs. YVS Choudary seems to have crossed the caliber of K Raghavendra Rao in igniting screen to flame with female glamour. But Ileana’s over action while delivering some dialogues is horrible. Kaveri Jha is also used for the glamour factor. But her role is disgusting.
Ali looked promising when he entered the screen as choreographer Gafar Khan. But his rotten country comedy makes decent crowds inconvenient.
Technically the movie is good. The sound effects, action part and cinematography are dealt up to perfection. Music is below average. And the main spirit of the movie is missed by director with erratic screenplay and punch less dialogues.
Underlines:
Poolu Gusagusaladenani, the old from 1973 ‘Sreevaru Mavaru’ is remixed here and canned on Mohan Babu and Kaveri Jha
Ramya Sree, the actress known for playing vamp, servant maid and college lecturer in different films appeared in a serious deglamorised role in it!
Sign-Out Lines: This is the nastiest movie that I have ever seen. Rotten comedy, over exposing heroines, non-piercing dialogues, and senseless screenplay- everything is worth forgetting. I’ve been a filmophile but happened to review this film for the first time. It swallowed my patience completely but I’ve got no other way than reviewing this since I promised the admin.
To sign out on lighter note, Saleem boils the heads of audiences like ‘Haleem’!
Decree: Watch it at your own risk
Saleem Release in Australia
city timings contact
Chinatown Cinemas
200 Bourke St Melbourne
Melbourne Sun 13th Dec 7:00pm
Rama
0433 820 701
Dinesh
0430 354 049
kapil
0422299660
Banner: Lakshmi Prasanna Pictures
Cast: Vishnu, Ileana, Mohan Babu, Kaveri Jha, Jaya Prakash Reddy, Tanikella Bharani, Hema, MS Narayana, Ali, Raghubabu, Venkat etc
Music: Sandeep Chowta
Art: Anand Sai
Fights: Vijay, Kanal Kannan
Camera: Ram Prasad
Production: Padmasri Mohan Babu
Story, Screenplay Direction: YVS Choudary
Release Date: 12th Dec 2009
Manchu Vishnu’s ‘Saleem’ released today after a long wait. Ileana, the heroine in demand paired up with him. Mohan Babu also played a key role in the film and that attracted the audiences, obviously. Walk into the details to know more…
Essence:
The movie starts with Satyawati (Ileana) and her story in a village backdrop. She is the daughter of Singamanaidu (Napolean), a respectable villager. She comes to the village for a brief vacation and lives amidst all lovable relatives recalling the movies Murari, Athadu, Ninne Pelladatha etc etc (sorry for taking the comparison. This film has no glory close to an iota of those master pieces)!! Like in many other films the hero (Vishnu with character name Munna) arrives in that village and stays along with the family in the disguise of orphan. The story runs with insipid dialogues, stupid screenplay and energy less narration till the interval.
And the interval bang has got a twist that rotates the heads of audiences to 360 degrees. I cannot reveal that here as that is the only ‘suspense factor’ in it. And the post interval period is another hard nut to bite. Mohan Babu plays the mafia don OJO (an acronym for Ogirala Joginatham) and he has a duet with Kaveri Jha. The twist in the interval narrates rest of the story line with all confusion and cacophony. Who is Saleem is another part of the story that unwraps in second half. What happened for about 150 minutes will be in question mark at the conclusion of the movie.
Artistes:
Mohan Babu wouldn’t have played this role OJO at all. He has shown a teacher as source of eroticism. The artiste of his age shouldn’t have encouraged the director to demean a female teacher that way. It’s a head-down for entire female teacher community. I feel the teachers in Mohan Babu’s school ‘Sree Vidya Niketan’ would keep their heads down if they identify themselves in Kaveri Jha’s character and their master Mohan Babu in the role he played.
Vishnu has picked up considerably. He is really looking smart with lean look. His face is also showing some glow and young charisma. Dances are also impressive. But he needs to do exercise in voice modulation. He should take a few leaves from his father’s experience for next film.
Ileana is restricted to enticing male crowds through songs. YVS Choudary seems to have crossed the caliber of K Raghavendra Rao in igniting screen to flame with female glamour. But Ileana’s over action while delivering some dialogues is horrible. Kaveri Jha is also used for the glamour factor. But her role is disgusting.
Ali looked promising when he entered the screen as choreographer Gafar Khan. But his rotten country comedy makes decent crowds inconvenient.
Technically the movie is good. The sound effects, action part and cinematography are dealt up to perfection. Music is below average. And the main spirit of the movie is missed by director with erratic screenplay and punch less dialogues.
Underlines:
Poolu Gusagusaladenani, the old from 1973 ‘Sreevaru Mavaru’ is remixed here and canned on Mohan Babu and Kaveri Jha
Ramya Sree, the actress known for playing vamp, servant maid and college lecturer in different films appeared in a serious deglamorised role in it!
Sign-Out Lines: This is the nastiest movie that I have ever seen. Rotten comedy, over exposing heroines, non-piercing dialogues, and senseless screenplay- everything is worth forgetting. I’ve been a filmophile but happened to review this film for the first time. It swallowed my patience completely but I’ve got no other way than reviewing this since I promised the admin.
To sign out on lighter note, Saleem boils the heads of audiences like ‘Haleem’!
Decree: Watch it at your own risk
Saleem Release in Australia
city timings contact
Chinatown Cinemas
200 Bourke St Melbourne
Melbourne Sun 13th Dec 7:00pm
Rama
0433 820 701
Dinesh
0430 354 049
kapil
0422299660
Mallu Actress Sindhu Menon Latest Photo Gallery
Cute, Hot and Sexy Mallu Actress Sindhu Menon Latest Photo Gallery
Tags and Keywords: Cute, Hot and Sexy Mallu Actress Sindhu Menon Latest Photo Gallery, Mallu Actress Sindhu Menon Latest Movie News and Updates, Mallu Actress Sindhu Menon showing her hot boobs photos, Sindhu Menon latest movies update, Sindhu Menon Personal Profile, what is Mallu Actress Sindhu Menon doing currently? Sindhu Menon want to come back with hand full of movies by showing her hot stuff
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